Connect with us

horror

[Review] Netflix’s ‘A Classic Horror Story’ Loses Itself in Borrowed Plot and Tropes – Bloody Disgusting

Published

on

0
(0)

وقت القراءة المقدر: 8 دقيقة (دقائق)

Jeffrey Dean Morgan Will Battle an Evil Ventriloquist Doll in Horror Movie ‘Felix’
Fede Alvarez Celebrates 9 Years of ‘Evil Dead’ With Never-Seen Personal Polaroids
Roger Corman Birthday Sale from Shout Factory is Loaded With Horror Blu-rays
A24’s ‘Bodies Bodies Bodies’ Rated “R” for Violence and Bloody Images
Christina Ricci Monster Movie ‘Monstrous’ Comes to Blu-ray in July
“Paranormal Hitmen” – ‘Ghostbusters’ Meets ‘Pulp Fiction’ in Upcoming Comic Book Adaptation
HBO’s “The Baby” Trailer Gives Birth to the Most Terrifying Comedy of the Year
“The Wilds” Season 2 Trailer – Amazon’s Survival Thriller Returns in May
“Locke & Key” Season 3 Will Be the Final Season of the Netflix Series
“Moon Knight” Episodes Hide Free ‘Werewolf by Night’ Marvel Comics for Viewers to Access
‘Morbius’ Review – A Serviceable But Mostly Fangless Introduction to the Living Vampire
[Review] Nightmare Reaper is a Retrotastic FPS War on Dreams
“Moon Knight” Review – Genre-Bending MCU Series Introduces a Volatile, Fascinating Antihero
‘Barbarians’ Review – A Slow Simmering Dinner Party Favors Satire Over Horror
[Review] Absent In Body’s ‘Plague God’ Is a Trip Through Surreal Darkness
The All-American Monster: Hulu’s ‘Fresh’ and a New American Psycho
A Legend Worth Celebrating: The Unparalleled Legacy of Roger Corman
Five More Underseen ‘80s Horror Movies to Stream This Week
Power of the Night: A ‘Critters’ Franchise Retrospective
‘Tales of the Unusual’: Charming Japanese Anthology Offers Multiple Genres [Horrors Elsewhere]
HBO’s “The Baby” Trailer Gives Birth to the Most Terrifying Comedy of the Year
“The Wilds” Season 2 Trailer – Amazon’s Survival Thriller Returns in May
Something Is Wrong With the Children in ‘Homebound’ Exclusive Trailer and Poster Reveal
Exclusive Clip Heads Into ‘The Cellar’ With Elisha Cuthbert
Gaspar Noé’s ‘Lux Aeterna’ Trailer Documents the Chaotic Filming of a Witch Movie
‘Dune: Spice Wars’ Enters Early Access on Steam This Month, New Faction Revealed
Sierra’s ‘Phantasmagoria’ Was the Result of Being Turned Down by Stephen King?
Experience the First 30 Minutes of Gameplay for Supermassive’s ‘The Quarry’ [Watch]
‘House of the Dead: Remake’ Coming to PlayStation?
Zombie Survival Sim ‘Undying’ Receives Revamped Controls in Latest Update
Published
on
By
Paying homage to popular classics can be a tricky thing. It’s a delicate balance between appreciation and appropriation, and testing the boundaries without crossing them takes restraint. With a title like A Classic Horror Story and a logline that nods to formative horror movies, you expect a more pronounced degree of homage in store. But A Classic Horror Story isn’t targeting a specific era or title in horror to pay tribute; it wants to throw everything at the wall to see what sticks. It results in a bizarre, disjointed experience full of great imagery but confused story and messaging.
After a quick opening hook, A Classic Horror Story assembles a group of strangers gathering for a carpool trip to Southern Italy. Elisa (Revenge’s Matilda Lutz) takes a spot in the carpool to get to her surgery; she’s following her overbearing mother’s demands to get an abortion. The internal conflict over this decision hangs over Elisa, even as she struggles to keep any food down. Riccardo (Peppino Mazzotta) is a doctor who wants to keep to himself. Sofia (Yullia Sobol) and Mark (Will Merrick) are lovebirds intending to elope. The group’s driver is Fabrizio (Francisco Russo), a cinephile that wants to document everything for his social media pages. All of their plans get derailed when the R.V. crashes, knocking the eclectic bunch unconscious. When they come to, they discover their miles away from any road in sight. And they’re not alone.

Writer/Directors Roberto De Feo and Paolo Strippoli begin A Classic Horror Story with a setup that emulates A Texas Chain Saw Massacre, both in visual style and plot. The sepia-toned imagery of a fivesome road tripping into rural territory, unaware they’ll soon run afoul of an isolated clan, mirrors the classic. Fabrizio could even be a dead ringer for Franklin, down to the costuming and mannerisms. Once they arrive at a mysterious house in the middle of a forest, De Feo and Strippoli leave Chain Saw mostly in the rearview.
A Classic Horror Story works best in the front half when it’s still unclear what’s happening. With no knowledge of how they got there, they spend their days lost and confused and their nights in terror as death ensues. Each night also brings them closer to answers, and it’s at this point that De Feo and Strippoli start borrowing prominently from modern horror, Midsommar chief among them. A retro love letter turns into a manic meta nightmare, none of it coherent as a whole.

What makes this extra chaotic is how each new shift in horror inspiration dovetails with new social commentary. By the time the end credit hook happens, the filmmakers’ point is clear as mud. At large, it seems to offer a scathing critique of those who dislike horror but have no problem cheerily existing in a world of reality-based terror. Still, the particular choice of villain contradicts this, with an unflattering examination of modern fandom’s media consumption. Throw in a few culturally specific issues related to classism and even nods to the mafia, and it’s about as messy as the endless barrage of borrowed horror moments.
It’s technically polished, and the red gels go far in lending a stylistic flourish. The feature never entirely pushes the envelope as far as it should on the gore but does sprinkle in a few fun moments. Lutz tries her hardest to rise above the script’s constraints; her backstory is more plot device, but she nonetheless makes for a winsome heroine. A Classic Horror Story starts strong, reeling you in with a story full of possibilities. All potential gets discarded as the movie emulates the characters by getting lost in the middle of nowhere.
Netflix releases A Classic Horror Story on July 14.

Hulu’s ‘No Exit’ Review – Gripping Thriller Brings the Intensity
Shudder’s ‘Hellbender’ Review – An Exciting Coming-of-Age Horror Movie
‘Studio 666’ Review – The Foo Fighters Unleash Their Demons in Gory Splatstick Comedy
Published
on
By
Jeffrey Dean Morgan (“The Walking Dead”) will continue hanging around in the horror genre with an upcoming movie titled Felix, Screen Daily has announced this afternoon.
Benjamin Evan Ainsworth (“The Haunting of Bly Manor”) will star alongside Jeffrey Dean Morgan in Felix, which is being produced by Joe Carnahan (The Grey).
The film is described as “Super 8 meets Child’s Play.”
“Charlie and his best friend Jimmy are making a film and dream of becoming big-time Hollywood directors. When Charlie’s father finds an old ventriloquist’s doll named Felix among his late mother’s belongings, Charlie and Jimmy cast the doll as the creepy antagonist. Through a chain of increasingly sinister and disturbing events the family discovers that Felix has a mind of his own and it’s up to Charlie and Jimmy to rid their family of an ominous force.”
John Kissack (Everfall) is directing Felix, written by Casey Giltner.

source

Advertisement

 304 اجمالى المشاهدات,  3 اليوم

ما مدى فائدة هذا المنشور؟

انقر على نجمة لتقييمه!

متوسط ​​تقييم 0 / 5. عدد الأصوات: 0

لا أصوات حتى الآن! كن أول من يقيم هذا المنشور.

Advertisement

As you found this post useful…

Follow us on social media!

No tags for this post.
Advertisement
Click to comment

Leave a Reply

لن يتم نشر عنوان بريدك الإلكتروني.

The maximum upload file size: 128 ميغابايت. You can upload: image, audio, video, document, text, other. Links to YouTube, Facebook, Twitter and other services inserted in the comment text will be automatically embedded. Drop file here

horror

Cosmic Horror Movie Is Still Thrilling 20 Years Later – Bloody Disgusting

Published

on

By

5
(2)

وقت القراءة المقدر: 19 دقيقة (دقائق)

‘Hocus Pocus 2’ – Disney+ Sets Sequel for September 30, 2022!
‘Squealer’ – Butcher Slaughters More Than Livestock in Serial Killer Thriller
Watch the First 10 Minutes of ‘Morbius’; Now Available on Digital
8 New Horror Movies Releasing This Week Including the Latest from A24
‘The Thing That Ate the Birds’ – Exclusive Clip Takes Aim at a Mysterious Monster
Lady Dimitrescu Could Appear in Season 2 of Netflix’s “Resident Evil” Series?
“Gremlins: Secrets of the Mogwai” Images Introduce the Voice Cast and Their Characters
“Stranger Things” Joins Forces With Domino’s for “Mind Ordering” Pizza Experience!
“The Boys” Season 3 Trailer Evens the Bloody Playing Field Against the Supes
“Chainsaw Man” Trailer – Crunchyroll Carves Out a Streaming Home for the Animated Series!
‘Shark Bait’ Review – Another Mediocre Shark Attack Movie That At Least Has Gory Bite
‘Firestarter’ Review – Modern Reimagining of Stephen King’s Novel Fails to Ignite
‘The Sadness’ Review – Gory Virus Movie Goes for the Jugular With Transgressive, Extreme Horror
A24’s ‘Men’ Review – Alex Garland Unsettles With Surreal Folk Horror
‘The Innocents’ Review – A Provocative and Disturbing Moral Fable of Superpowered Innocence
‘Mother’s Helper’: A Nanny’s Nightmare Comes True in A. Bates’ 1991 YA Thriller [Buried in a Book]
A Tale of Two Fires: Comparing Stephen King’s Novel and the New ‘Firestarter’ Movie
‘The Mothman Prophecies’ – Cosmic Cryptozoology Horror Movie Is Still Thrilling 20 Years Later
‘The Curse of Kazuo Umezu’ Is a Small Taste of the Manga Author’s Twisted Mind [Horrors Elsewhere]
‘Friday the 13th’: Ranking 15 Different Jason Voorhees Character Designs
Action RPG ‘Hellpoint’ Receives New DLC and Next-Gen Upgrade This July [Trailer]
New ‘Resident Evil’ Content Teased For ‘Dead by Daylight’ [Video]
Watch the First 10 Minutes of ‘Morbius’; Now Available on Digital
‘The Thing That Ate the Birds’ – Exclusive Clip Takes Aim at a Mysterious Monster
‘Keeping Company’ Trailer Tackles Classism With Murder [Exclusive]
Action RPG ‘Hellpoint’ Receives New DLC and Next-Gen Upgrade This July [Trailer]
New ‘Resident Evil’ Content Teased For ‘Dead by Daylight’ [Video]
‘Dead by Daylight: Roots of Dread’ – Behaviour Interactive Details the New Chapter and the New Monster! [Exclusive]
Survival Horror Title ‘FOBIA – St. Dinfna Hotel’ Releases Next Month [Trailer]
Modder Finally Gives ‘Resident Evil Village’ VR Support for PC [Watch]
Published
on
By
Cryptozoology is woefully underexplored in popular culture. Sure, we have a handful of entertaining bigfoot flicks and even Zak Penn and Werner Herzog’s experimental Incident at Loch Ness, but where’s our big budget Jersey Devil thrillers? Or how about some Chupacabra-related mysteries? Having grown up on a steady diet of late- Discovery Channel and questionable internet forums, I’d argue that this popular pseudoscience is an untapped goldmine of compelling genre stories that deserve more attention.
Fortunately, my personal favorite of these preternatural beings was lucky enough to spawn a surprisingly successful motion picture in the form of Mark Pellington’s The Mothman Prophecies, a 2002 adaptation of John Keel’s homonymous book describing an allegedly true story from 1960s West Virginia. And with the flick celebrating two decades of conspiratorial frights, I think that this is the perfect time to look back on why it’s still the best cryptozoological thriller that flirts with both psychological drama and cosmic horror.
While Keel’s book was originally released back in 1975, the legend of the Mothman really achieved worldwide notoriety with the rise of online paranormal discussion boards in the 90s. With more and more people spreading and adding to the creature’s bizarre history, it was only a matter of time until a studio decided to invest in a spec script based on Keel’s original account, eventually leading to the production of Lakeshore Entertainment’s film.
Unfortunately, the studio was unsure about how general audiences might react to a high-concept cryptid mystery and ended up slashing the original budget just a few days before filming began. This unexpected act of cinematic sabotage came as a shock to Pellington, who had already dealt with similar issues on his previous picture, but these limitations may have led to storytelling concessions that ultimately benefited the picture. Without a massive special effects budget, the titular Mothman became more of a creepy presence than a physical monster, only appearing in near-subliminal visions as the finished film focused more on atmosphere and character work rather than the cryptozoological chills of the original book.
“Whatever brought you there, brought you there to die.”
In fact, the director purposely avoided a faithful adaptation of Keel’s account, wanting the film to feel more like a psychological drama instead of an investigative creature feature or traditional sci-fi flick. Ironically, this is more in line with the writer’s overall feelings about UFO phenomena in general, as, despite theorizing that the Mothman was an “ultraterrestrial” visitor, Keel thought that most supernatural incidents could be explained by psychic anomalies rather than otherworldly interference.
This more grounded approach led to quite a few discrepancies between the film and its source material, such as the altered visuals of the Mothman itself and the protagonist’s characterization as a skeptic rather than a paranormal investigator (not to mention the condensing of characters and events in order to better fit a two-hour drama). Despite this, the overall plot remains largely intact, with Richard Gere playing a grieving journalist named John Klein who mysteriously finds himself lost in the Appalachian city of Point Pleasant. He eventually discovers that locals have been dealing with a series of seemingly paranormal occurrences and becomes obsessed with the elusive Mothman, who he believes is involved with a series of prophetic messages warning of impending disasters.
While I would still love to see a more traditional monster flick that explores the bizarre accounts present in the original book, Pellington’s choice to explore the human side of the story makes The Mothman Prophecies a surprisingly somber and existential picture that characterizes the titular monster as an unexplainable force representing a universal fear of the unknown, taking the legend into a more metaphysical direction than most other interpretations.
From the Pazuzu-like flashes of the Mothman during pivotal scenes to subtle scares like Klein’s reflection not quite matching up with his movements, as well as characters being driven to madness and obsession after coming into contact with the red-eyed creature, there are several moments of the picture that would feel right at home in an H.P. Lovecraft yarn. The scenes featuring Indrid Cold’s fatal prophecies (brought to life by Pellington himself) are especially haunting, with these implied offscreen terrors becoming much scarier than any monstrous visuals that a special effects team could have cooked up.
“You’re more advanced than a cockroach, have you ever tried explaining yourself to one of them?”
Of course, it’s the emotional core of The Mothman Prophecies that really ties everything together. Pellington grounds these paranormal incidents in tangible emotions like grief, love and existential dread, leading to an eerily believable trek through deeply human fears. Gere is also phenomenal as our leading man, making it easy to root for our haunted protagonist. Honestly, I think it’s a shame that the actor hasn’t shown up in more horror movies, as he excels in this role as a rational man losing his wits once he’s confronted with the unknown.
The Mothman itself is only briefly featured in this subtly scary experience, but the creature’s presence is felt throughout every frame of the picture. It may not be the cryptid creature feature that some were hoping for, but I appreciate this unconventional retelling of a fascinating legend. The film is also responsible for popularizing the Mothman as a cultural icon, with Point Pleasant organizing an official Mothman Festival every year since 2002 as the mysterious winged monster became a staple of American folklore alongside figures like the Jackalope and Sasquatch.
While the film’s claims that it’s based on a true story should be taken with a sizable grain of salt, I think The Mothman Prophecies is still a surprisingly thrilling and highly atmospheric mystery twenty years later. It can get a little slow at times and might irk hardcore cryptozoology enthusiasts with its disregard for Keel’s (admittedly exaggerated) account, but I’d still recommend it to any fan of moody cosmic horror. It’s also the best media featuring West Virginia since John Denver’s Country Roads, and definitely my personal favorite Richard Gere flick.
Born Brazilian, raised Canadian, Luiz is a writer and Film student that spends most of his time watching movies and subsequently complaining about them.
8 New Horror Movies Releasing This Week Including the Latest from A24
Brass Token Drops Teaser for Cosmic Horror Action Game ‘The Chant’, Coming This Fall [Trailer]
Five Rock ‘n Roll Horror Movies to Stream This Week!
Published
on
By
Babysitting is without a doubt the most hazardous after-school job in the world of young-adult horror. The caregivers in these books count themselves lucky if the biggest problem of the is getting the kids to bed. Those less fortunate sitters have to deal with a variety of boogeymen. Although, not every waking second of these teens’ lives is a total nightmare; their own homes and schools are temporary safe havens. A. Bates, on the other hand, found a way to ensure one babysitter is in a constant state of terror. In the author’s 1991 novel Mother’s Helper, a 17-year-old accepts a well-paying but unusual job offer; she is hired to watch an infant full-time. The only catch is the nanny position requires staying on a small island, far away from home… and always close to danger.
Rebecca “Becky” Collier finds an excuse to leave Seattle for the summer after her boyfriend dumps her for her best friend. And with her going off to college soon, the prospective freshman needs to earn some fast money. So, when Mrs. Nelson provides a stone for two birds, Becky jumps on a plane to Sebastian Island. The gig itself — watching over a baby boy named Devon all summer — is easy enough, but after a while, Becky grows weary of Devon’s high-maintenance mother.
Mrs. Nelson is visibly uncomfortable around her own son, and she is reluctant to let Becky leave the house. Making things weirder is the reason why the Nelsons are in Sebastian in the first place. Someone has threatened Devon, and his parents — Devon’s father is away this whole time —  think keeping him here is the best option. As willing as Becky is to overlook all the red flags for an enticing lump sum of $5000, the growing isolation eats away at her. On top of that is the handsome yet suspicious townie and neighbor, Cleve Davidson, who keeps asking Becky so many prying questions.

Once she is allowed a off, Becky’s mind starts to run wild. Along with the sheriff’s convenient accident, one that effectively leaves the town of South End without any law enforcement, Becky ponders Cleve’s innocence. His unremitting curiosity about Becky’s job and her “aunt” suggests he is not who he appears to be. Mrs. Nelson herself is equally shady, if not more so. She not only forbids Becky from answering the phone in her office when she is not home — a room Bates compares to the forbidden one in the French folktale “Bluebeard” — those daily work meetings of hers are nothing more than her sitting alone at the marina. For someone who claims to be in hiding, Mrs. Nelson sure is lousy at staying hidden.
From Becky feeling like a prisoner in the Nelsons’ summer house to her increasing anxiety about Devon’s stalker, Mother’s Helper is all about horrors from within. Becky suffers the effects of cabin fever early on; both her irritability and paranoia cause her to make rash decisions as the story progresses. Then, being aware of Devon’s predicament causes Becky to be mistrustful and nervous. The more enmeshed she is in the Nelsons’ problem, the more she internalizes their fears.
As for scares, Bates largely channels the psychological menace of classic “imperiled women” films as opposed to the teen slashers influencing other suspenseful YA novels from this same era. She plays on Becky’s dread with an incessantly ringing yet never answered telephone, and she perpetuates the sensation of being watched. At one point, the author terrorizes the protagonist with strategically placed dolls; some are broken and mutilated, whereas the most daunting of them all is left completely unharmed. An excellent line about this incident sums up Becky’s uneasy state of mind:
“This doll was perfect — no slashes, no broken, shattered head, no ripped limbs — and somehow it was even more frightening.
Almost like it’s a fill-in-the-blank threat, Becky thought. Fill it in with anything I can imagine.”
Family thrillers were on the rise in Hollywood when Mother’s Helper was first published. Sinister sitters, jilted paramours, and bad seeds were only some of the threats found in these now-dated narratives. Regardless of how they did it, the ostensible villains sought to destroy the family. This book predates the subgenre’s cinematic peak, which includes The Hand That Rocks the Cradle, Poison Ivy, and Mother’s Boys. Unlike those films, though, Bates’ story details the aftermath of a crime. Of course this facet is unrealized until the last act.

Mrs. Nelson eventually caves to Becky’s questioning and admits she is on the run from Franklin, her abusive husband. The women conceive a plan in anticipation of Franklin’s arrival; Becky hides the baby elsewhere while Mrs. Nelson distracts her husband. As to be expected, things do not go accordingly. This is due to the fact that Mrs. Nelson is lying about everything. Devon is not her child; he is the biological son of Franklin and his current wife. Becky’s client abducted the baby and then fled to this island, where she put everything, including the rental home and checking account, in the nanny’s name. And to ensure he would not alert the proper authorities, Mrs. Nelson injured the sheriff and let the town think Cleve was responsible.
Caroline B. Cooney exercised the “stolen baby” plot a year earlier in her Janie Johnson series, beginning with The Face on the Milk Carton. However, Mother’s Helper executes the idea much differently. The result comes as a greater shock for the target audience, seeing as the twist is delivered toward the end rather than at the beginning like in Cooney’s book. Younger readers identify with Becky, who like themselves, would never suspect a mother is lying about being a parent. The thriller plays with perception as well as the concept of who can be considered inherently trustworthy. Having Becky then become an accomplice to kidnapping, albeit without her knowledge or consent, is appalling.
Despite having been manipulated, lied to, and almost killed, Becky remains compassionate. She understands Mrs. Nelson needs a different type of help now. As she confronts the woman at the marina, Becky is sympathetic instead of angry. She ultimately lets Mrs. Nelson escape and tells her to “be safe.” Letting the antagonist, particularly someone who has a mental illness, live in these kinds of stories is both merciful and uncommon. It is also not the most logical or even the most lawful choice to make, but it suits Becky, a character whose fatal flaw is caring too much.
There was a time when the young-adult section of bookstores was overflowing with horror and suspense. These books were easily identified by their flashy fonts and garish cover art. This notable subgenre of YA fiction thrived in the ’80s, peaked in the ’90s, and then finally came to an end in the early ’00s. YA horror of this kind is indeed a thing of the past, but the stories live on at Buried in a Book. This recurring column reflects on the nostalgic novels still haunting readers decades later.

source

 278 اجمالى المشاهدات,  3 اليوم

Advertisement

ما مدى فائدة هذا المنشور؟

انقر نجمة لتقييمه!

متوسط ​​تقييم 5 / 5. عدد الأصوات: 2

أصوات حتى الآن! كن أول يقيم هذا المنشور.

Advertisement

As you found this post useful…

Follow us on social media!

No tags for this post.
Continue Reading

horror

Signature Entertainment To Release Southern Ghost Story GHOSTS OF THE OZARKS Starring David Arquette

Published

on

By

0
(0)

وقت القراءة المقدر: 1 دقيقة (دقائق)

 

Ghosts of the Ozarks

Scream actor David Arquette returns to the screen in Ghosts of the Ozarks, directed by Matt Glass and Jordan Wayne Long.

In post-civil war Arkansas, a young doctor is mysteriously summoned to a remote town in the Ozarks, only to discover the utopian paradise he expected is filled with secrets and surrounded by a menacing, supernatural presence.

Advertisement

Also starring Tim Blake Nelson, Angela Bettis, Phil Morris, Tara Perry and Thomas Hobson, Ghosts of the Ozarks is a thrilling new take on the southern ghost story.

Signature Entertainment are set to release Ghosts of the Ozarks on Digital Platforms in the UK on 23rd May 2022.

http://https://www.youtube.com/watch?v=H5B7LjXSSS0

 290 اجمالى المشاهدات,  5 اليوم

Advertisement

ما مدى فائدة هذا المنشور؟

انقر على نجمة لتقييمه!

متوسط ​​تقييم 0 / 5. عدد الأصوات: 0

لا أصوات حتى الآن! كن أول من يقيم هذا المنشور.

Advertisement

As you found this post useful…

Follow us on social media!

No tags for this post.
Continue Reading

horror

The Experiment by M.R. James

Published

on

5
(1)

وقت القراءة المقدر: 2 دقيقة (دقائق)

The Experiment by M.R. James

Mr. Hall was a priest from a small village. One day he was working in the office when his servant entered. The woman was alarmed. She said that the squire died. Mr. Hall was surprised, because he had seen this man the day before. But soon the church bell rang, notifying the village of someone’s death. It was true. People said that the squire suddenly got some terrible unusual disease. He passed away very quickly and they decided to bury him as soon as possible. The priest took his clothes and left the office to learn all the details. As it turned out, the squire said he did not want to be buried in the family crypt. He wished to be buried in an ordinary grave in a cemetery. The priest thought that the man was too ill to realize what he was talking about. But the last desire must be fulfilled.

To read and download for free in PDF format, click on the link below.

Download pdf

The Experiment by M.R. James

I wish you a pleasant reading and awaiting your comments on the novel .. Greetings, Real Story

 1,902 اجمالى المشاهدات,  3 اليوم

ما مدى فائدة هذا المنشور؟

Advertisement

انقر على نجمة لتقييمه!

متوسط ​​تقييم 5 / 5. عدد الأصوات: 1

لا أصوات حتى الآن! كن أول من يقيم هذا المنشور.

As you found this post useful…

Advertisement

Follow us on social media!

No tags for this post.
Continue Reading
زد معلوماتك3 ساعات ago

كيف أصبح هذا الشاب "أشهر واحد على تيك توك"؟

زد معلوماتك4 أيام ago

ذاكرة اليوم.. تأجيل جائزة نوبل وميلاد مها أبو عوف ورحيل محمد عبد الوهاب

روايات مصرية4 أيام ago

رواية السم فى العسل بقلم كوكى سامح

شهر رمضان4 أيام ago

الصيام المتقطع والتغذية الحدسية

horror4 أيام ago

Cosmic Horror Movie Is Still Thrilling 20 Years Later – Bloody Disgusting

زد معلوماتك4 أيام ago

5 طرق للتعافي من العلاقات المؤذية..5 حاجات لازم تعملهم عشان تقدر تنسى وتعدى

زد معلوماتك4 أيام ago

من هم العرب الذين ضمتهم قائمة تايم لأكثر 100 شخصية تأثيرا في العالم؟

زد معلوماتك4 أيام ago

سبع شخصيات سياسية مشهورة رحلت في عام 2017

فضفضة رييل ستورى4 أيام ago

أسباب تزيد انزعاج السيدات من شخير الأزواج.. وحلول التغلب عليها

ذاكرة التاريخ History's Memory4 أيام ago

«الروم الأرثوذكس»: بعثة برئاسة أم الملك عثرت على صليب المسيح

ذاكرة التاريخ History's Memory4 أيام ago

«الصعلكة والقراءة والمهن التي مارستها» اعترافات خيري شلبي عن حكايات رواياته

ذاكرة التاريخ History's Memory4 أيام ago

«شيء من سالومي».. جديد سهير المصادفة عن المؤسسة العربية للدراسات والنشر

ذاكرة التاريخ History's Memory4 أيام ago

الآلاف يحتفلون بانتهاء قيود كورونا بحضور مهرجان لولابالوزوا بألمانيا

ذاكرة التاريخ History's Memory4 أيام ago

الإحن التاريخية

ذاكرة التاريخ History's Memory4 أيام ago

الأدب في الإمارات أقلام شابة تواكب العصر

قصص الإثارةشهر واحد ago

رواية رغبه متوحشه (كامله)

قصص الإثارة3 أسابيع ago

رواية بنت بمدرسة عيال اغنياء بقلم ماري جو

قصص حدثت بالفعل5 أيام ago

رواية هنا فى الاعماق – بقلم مايا بلال

قصص متنوعة5 أيام ago

حكاية ليلى واحمد وجارتى ابتسام

قصص الإثارة6 أيام ago

رواية بنت فى ورطه بقلم كوكى سامح

ادب نسائيشهر واحد ago

قصة غرام اولاد الالفي بقلم سماء احمد

ادب نسائيشهر واحد ago

رواية ظلام البدر +21 بقلم بتول

قصص متنوعة3 أسابيع ago

عايشة عند اخويا ومراتو بلقمتى ويارتني بلاقي اللقمه

ادب نسائيشهر واحد ago

تكملة رواية ظلام البدر +21 بقلم بتول

روايات مصريةشهر واحد ago

قصة حماتي كامله للكاتبه ايمي رجب

روايات مصرية4 أسابيع ago

رواية كبرياء عاشقة بقلم هدير نور(كاملة)

قصص الإثارةأسبوعين ago

حكايتي مع ابو زوجى السافل وما فعلت به

قصص الإثارةأسبوعين ago

قصة حماتي وزوجتي الحامل +18 للكبار فقط

روايات مصريةشهر واحد ago

قصة انا وحمايا بقلم كوكي سامح

روايات مصريةأسبوع واحد ago

رواية براءتي الجزء الحادى عشر بقلم كوكي سامح #11

Facebook

Trending-ترندينغ